“The future of Urban commuting will be driven by interconnected ecosystems – ‘Technology and Bicycling’, and advancement in technology will make bicycling faster, safer and easier” says a recent research report ‘Technology, Media and Telecommunications Predictions 2020’ published by Deloitte.
Filmmaker Liz Canning cycled everywhere until she had twins in 2008. Hauling babies via car was not only unsustainable but took the freedom and adventure out of life, and Liz felt trapped. She Googled “family bike” and uncovered a global movement of people replacing cars with cargo bikes. Liz set out to learn more and MOTHERLOAD was born.
MOTHERLOAD is a crowdsourced documentary about a new mother’s quest to understand the increasing isolation and disconnection of the digital age, its planetary impact, and how cargo bikes could be an antidote.
Liz’s work has screened internationally, winning awards including a Sundance Special Jury Prize (American Blackout – editor/producer). After graduating from Brown University in Semiotics, Liz worked at San Francisco’s Artists Television Access and Film Arts Foundation while making films. Her award-winning Handmirror/Brushset Included screened internationally, on PBS and at the Museum of Modern Art in NYC (distributed by Art Com).
Since 2000, Liz has worked as a professional filmmaker focused on editing and animation for documentaries. Girls Rock! secured theatrical distribution and featured five animated sequences created by Liz and to demonstrate the cultural forces affecting young girls.